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Octave Parango est "model scout" a Moscou. Ce cynique individu chasse les mannequins russes pour le compte de ses amis oligarques
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Sandra Bullock stars in this political comedy drama from Warner Bros. and director David Gordon Green, and inspired by the 2005 documentary of the same name, an expose of a bungled American election campaign in South America. ~ Jason Buchanan, Rovi
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Name : Tom Long / Alias : Detroit News Offers some nice behind-the-scenes glimpses of how political sausage is made just as America's political sausage is sizzling on the fire.
Name : Bruce Kirkland / Alias : Toronto Sun [Bullock] has the knack of playing someone who is seriously flawed, yet still appealing for her smarts, her broken heart and her sharp wit.
Name : Amy Nicholson / Alias : L.A. Weekly A horror film wrapped in a fast-talking political comedy.
Name : John Semley / Alias : Globe and Mail Say what you will about the sneering, misanthropic political dramas of previous eras (Blow Out, JFK and so on). But at least they came by their cynicism in good faith.
Name : James Berardinelli / Alias : ReelViews The movie is funny enough to get its share of laughs but, in its angry heart, it's a tragedy - and the saddest part is that too much of this story is true.
Name : Mick LaSalle / Alias : San Francisco Chronicle "Our Brand Is Crisis" is in that annoying category of movie that sends audiences away thinking, "It's almost good, but something is off."
Name : Soren Anderson / Alias : Seattle Times "Crisis" squanders its intriguing premise.
Name : Peter Keough / Alias : Boston Globe The film indulges in the unabashed goofiness that stoked Green's "Pineapple Express," and which Sandra Bullock demonstrated to raucous effect in "The Heat."
Name : Stephen Whitty / Alias : Newark Star-Ledger A slick political dramedy with bursts of personal humor but an overdose of Hollywood gloss .
Name : Chris Nashawaty / Alias : Entertainment Weekly For a movie about political messaging, Our Brand Is Crisis doesn't know what it's selling besides Sandra Bullock's lusciously buttery dye job.
Name : Andrew O'Hehir / Alias : Salon.com The most important aspects of this striking story have been scrubbed away or laundered into Hollywood-style pseudo-psychological neutrality.
Name : Scott Tobias / Alias : NPR The film becomes a Sandra Bullock vehicle, and while it's buoyed by her typical comic aplomb, it loses sight of the bigger picture.
Name : Alonso Duralde / Alias : TheWrap Much of what the film considers fodder for satire is too familiar to feel revelatory or shocking, while characters that start out believable behave in unrecognizably ludicrous ways simply because the script forces them to.
Name : Todd McCarthy / Alias : Hollywood Reporter David Gordon Green's latest unpredictable addition to his resume is offbeat and appealing on some levels but is neither as funny nor as trenchant as it might have been.
Name : Lou Lumenick / Alias : New York Post Can Sandra Bullock in top form overcome longtime American audience resistance to comedies about politics and maybe even get another nomination in the process?
Name : Peter Debruge / Alias : Variety Green and company put an artificial ceiling on the pic's satirical potential. Had they fictionalized the country, "Crisis" could have joined the ranks of "Duck Soup" or "The Mouse That Roared."
Name : Joe Morgenstern / Alias : Wall Street Journal It's a case study, if nothing else, of starting with a dubious idea and making it downright awful.
Name : Stephanie Merry / Alias : Washington Post If it's satire, it's neither sharp nor especially funny. Yet it doesn't deliver emotionally, either.
Name : Peter Travers / Alias : Rolling Stone stumbles over a vast terrain of self-serving scoundrels (Trump trumps anything they can make up), but livewire Bullock never lets hypocrisy out of her comic kill zone.
Name : Kenneth Turan / Alias : Los Angeles Times Like the politicians and political consultants it mocks, "Our Brand Is Crisis" doesn't completely deliver on what it promises.
Name : Calvin Wilson / Alias : St. Louis Post-Dispatch In Bullock, "Crisis" has a star who makes the whole thing seem better than it probably is.
Name : Rafer Guzman / Alias : Newsday Ultimately, "Our Brand Is Crisis" isn't as hard-hitting, trenchant or angry as it should be.
Name : Manohla Dargis / Alias : New York Times You want to know how the Janes of the world happen. Is it money? Power? Ideology? You never find out.
Name : J. R. Jones / Alias : Chicago Reader [Bullock's] role as a weary Machiavelli in sunglasses and trench coat gives her little to work with but a stream of jaded one-liners.
Name : Tony Hicks / Alias : San Jose Mercury News The overriding message, which certainly isn't new, is that power corrupts and politics is a nasty game not meant for the little people. But in "Crisis," the point is not powerfully made.
Name : Alex Pappademas / Alias : Grantland It's the first time I've watched a David Gordon Green movie and found myself wishing I was in the capable hands of a set-'em-up-knock-'em-down director like Jay Roach.
Name : A.A. Dowd / Alias : AV Club Here, Green disappears deeper than he ever has before into workmanlike competence; the only personal signature is a funky, slow-mo dance party, which the filmmaker somehow manages to insert into every movie he makes.
Name : Jocelyn Noveck / Alias : Associated Press An excellent supporting cast includes Anthony Mackie and the terrific Ann Dowd as fellow consultants. Yet it all rests on Bullock. She's fun to watch.
Name : Bill Goodykoontz / Alias : Arizona Republic Despite Sandra Bullock's best efforts, she can't make "Our Brand Is Crisis" much more than what it is: A predictable political comedy that hits all the expected beats and goes sappy exactly when you think it will.
Name : Peter Howell / Alias : Toronto Star Like the ruthless political strategists the film both satirizes and celebrates, Our Brand Is Crisis speaks out of both sides of its mouth.
Name : Richard Brody / Alias : New Yorker Green . has little feel for the movie's comic turns, and his way with the drama is held back by his obvious and conventional sympathies.
Name : Brian Truitt / Alias : USA Today The movie unfortunately gets stuck between edgy drama and broad comedy, and most of the humor lands with a thud, unless animals getting run over or an A-list actress mooning bus passengers get your vote.
Name : Rex Reed / Alias : New York Observer The movie wafts and drones and shifts gears so many times that it is never as funny, pointed, jaundiced or clever as it could have been, and much less politically significant than it should be.
Name : David Edelstein / Alias : New York Magazine/Vulture Our Brand is Crisis hits a lot of clunky notes and the end is unforgivably cornball, but it's still one of the liveliest political black comedies I've seen in a while.
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Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
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Name : Maricar Estrella / Alias : Fort Worth Star-Telegram/DFW.com Directors Pete Docter ( Monsters, Inc .; Up) and Ronnie del Carmen ( Dug's Special Mission) have created a masterful study of family dynamics. Like the Oscar-winning Up, Inside Out takes great care in weaving complex ideas into a children's tale.
Name : Mick LaSalle / Alias : San Francisco Chronicle In the course of the whole year, there will probably be no American movie so concerned with looking inside, and so interested in the components of a meaningful life, as "Inside Out."
Name : Peter Travers / Alias : Rolling Stone Pixar's tour of an 11-year-old girl's head is a flat-out masterpiece that proves live action doesn't have dibs on cinematic art. Oh, did I say it was funny? It is, uproariously so, when you're not brushing away a tear.
Name : Christy Lemire / Alias : ChristyLemire.com This is a movie that dares to explore existential crises, in the middle of the summer, in an animated movie that's aimed at the whole family
Name : Joe Neumaier / Alias : New York Daily News Whatever brainstorm led the Pixar folks to "Inside Out," they've created the most extraordinary film of the year.
Name : Liam Lacey / Alias : Globe and Mail Inside Out is imaginative and ambitious, even if it sometimes feels a bit manically overstuffed. And it's definitely a big step up from some recent Pixar films, such as Cars 2 and Monsters University.
Name : Eric Hynes / Alias : Village Voice A scattershot throwback that steals elements from seedy '70s character studies, disreputable '80s vigilante flicks, even street-tough allegories from the '30s, Inside Out also dances to the confidently unhurried beat of its own drum.
Name : Steven Rea / Alias : Philadelphia Inquirer Inside Out is the first psychological thriller that's fun for the whole family. Really psychological. And really fun.
Name : Ben Sachs / Alias : Chicago Reader Inside Out, the latest Disney-Pixar coproduction, feels like a clever educational short stretched to feature length.
Name : Dave Calhoun / Alias : Time Out At times, you ache to put the brakes on the chaos, but still Pixar manages to do what it does best, turning the everyday rough and smooth of childhood experience into a thoughtful, inventive adventure.
Name : Chris Nashawaty / Alias : Entertainment Weekly A movie that's so smart and psychologically clever, it may leave little ones scratching their heads wondering why their parents are laughing so hard and getting so choked up.
Name : Alonso Duralde / Alias : TheWrap Has moments that are as emotionally gutting as anything I've seen in a Pixar film. At the same time, I was surprised at how fleeting the experience felt.
Name : Andrew Schenker / Alias : Time Out As bloated as its star's pectoral muscles and as lastingly resonant as any random episode of SmackDown.
Name : Andrew O'Hehir / Alias : Salon.com A work of nifty craftsmanship and considerable complexity beneath its unassuming surface.
Name : Andrew Lapin / Alias : NPR Inside Out isn't just a sign of renewed youth from Pixar. It's the reason Pixar exists.
Name : Daniel M. Gold / Alias : New York Times Shooting for stoic, Mr. Levesque only delivers inert. And the plot devolves into a tangle of dithering story lines.
Name : Anthony Lane / Alias : New Yorker On the scale of inventiveness, "Inside Out" will be hard to top this year. As so often with Pixar, you feel that you are visiting a laboratory crossed with a rainbow.
Name : Kenneth Turan / Alias : Los Angeles Times Pixar stands alone, and "Inside Out" shows you why.
Name : Peter Debruge / Alias : Variety Pixar's 15th feature proves to be the greatest idea the toon studio has ever had . promises to forever change the way people think about the way people think, delivering creative fireworks grounded by a wonderfully relatable family story.
Name : Ann Hornaday / Alias : Washington Post Uncle Walt knew what he was talking about with "For every smile, a tear." With "Inside Out," the brilliant keepers of his legacy prove that it's not only good for business but also essential for the soul.
Name : Joe Neumaier / Alias : New York Daily News Loyalties are tested and Scorsese ripped off until audiences may feel as if they're in a movie deathlock.
Name : Amy Nicholson / Alias : L.A. Weekly This is heady stuff - a more natural fit for a black-and-white Bergman than a kiddie caper.
Name : Michael Phillips / Alias : Chicago Tribune Perhaps Pixar will never again reach the heights of its remarkable string of masterworks, "Wall.E," "Ratatouille" and "Up." The best of "Inside Out" comes close.
Name : Gail Pennington / Alias : St. Louis Post-Dispatch The best animated movies are made as much for the grown-ups who will accompany the children as for the kids themselves. That's certainly true of "Inside Out" .
Name : Jake Coyle / Alias : Associated Press What's most refreshing about "Inside Out" is its inversion of the standard prescriptions of big-budget animation: It's ultimately about the importance of embracing sadness.
Name : Lou Lumenick / Alias : New York Post A nonsensical, thickly plotted gumbo.
Name : Brian Truitt / Alias : USA Today It's good to get your emotions in check before watching the exquisite Inside Out. You're bound to feel the whole bunch watching a child's mind come alive in the most imaginative ways.
Name : Wesley Morris / Alias : Grantland The challenge here involves maintaining a believable humanity while also making an entertaining case that humanity is impossible without the proper emotional configuration. And in meeting that challenge, the movie keeps surprising and delighting you.
Name : Tom Long / Alias : Detroit News It's hard to believe that anyone will make a film more ambitious and more fully realized this year than "Inside Out." Let the talk of a best picture Oscar win begin now.
Name : Roger Moore / Alias : Orlando Sentinel Lawyer-turned-screenwriter Dylan Schaffer's script is an unhappy combination of genres, tones, too many dead stretches of people in cars and inept dialogue.
Name : Dana Stevens / Alias : Slate Only in the medium of animation could a conceit as elaborate as Inside Out's be dramatized, and only animation this well-designed and executed could bring such a story so vibrantly to life.
Name : Bill Goodykoontz / Alias : Arizona Republic You want to see this movie. You need to see this movie. Because "Inside Out" is terrific, a mind-bending concept turned into a brilliant film, a return to form for Pixar not just in terms of quality but in taking risks - risks that pay off.
Name : Peter Howell / Alias : Toronto Star The magnificent head trip that is Inside Out does more than take us inside a young girl's mind. It also restores Pixar's lost magic.
Name : Lou Lumenick / Alias : New York Post It's a totally satisfying adventure with lot of surprising twists, and one of the best emotional payoffs in the Pixar canon.
Name : Christopher Orr / Alias : The Atlantic Welcome back, Pixar. You were sorely missed.
Name : Mary F. Pols / Alias : TIME Magazine What makes the movie so rich and enlightening, even for an adult well acquainted with their own blue periods, is the depiction of emotions not as at war with each other but rather in a constant juggling act to keep their human going.
Name : Todd McCarthy / Alias : Hollywood Reporter This adventurous outing manages the great Pixar trick of operating on two levels-captivating fun for kids, disarming smarts for adults-that sets the studio apart.
Name : A.O. Scott / Alias : New York Times "Inside Out" is an absolute delight - funny and charming, fast-moving and full of surprises. It is also a defense of sorrow, an argument for the necessity of melancholy dressed in the bright colors of entertainment.
Name : James Berardinelli / Alias : ReelViews Inside Out is the best American-produced animated film we have seen in many summers and deserves to be recognized as such.
Name : Colin Covert / Alias : Minneapolis Star Tribune "Inside Out" is uplifting and magical, impeccably crafted and cinematically arresting, emotional and humorous beyond measure.
Name : Stephen Whitty / Alias : Newark Star-Ledger "Inside Out" is about the passing of childhood ritual, its most bittersweet moments the ones glimpsed in a rear-view mirror, as it reminds the unfaithful: Remember when you loved that? When you lived for this? Until you didn't anymore?
Name : Tony Hicks / Alias : San Jose Mercury News A great blend of thoughtfulness and understanding went into "Inside Out," and the outcome will likely, again, raise the bar for other studios trying to keep up.
Name : Joe Morgenstern / Alias : Wall Street Journal As funny, stirring, unpredictable, exciting and riotously beautiful as it is profound.
Name : Ty Burr / Alias : Boston Globe It is a joy for audiences seeking entertainment, an ingenious work of craft for those paying close attention, and a wallop of feeling that's still too rare coming from a cartoon.
Name : Moira MacDonald / Alias : Seattle Times "Inside Out" movingly but casually plays with our emotions, like a baby walking her fingers across a parent's face; it leaves you changed, entertained, nostalgic, dazzled.
Name : A.A. Dowd / Alias : AV Club It's not just a brilliant idea, but maybe the most conceptually daring movie the Bay Area animation house has ever produced. And that's really saying something, what with WALL-E on the books.
Name : Rene Rodriguez / Alias : Miami Herald Kids will be engaged, but it's the older viewers - people who have lived and felt a little longer than 11-year-olds - who will most appreciate this marvelous, ingenious work of art.
Name : Nancy Churnin / Alias : Dallas Morning News Buddy films have always been about balancing opposite urges. Here the balance mirrors not only what's needed for great art, but also for mental and spiritual healing.
Name : Lisa Kennedy / Alias : Denver Post Not since Up, has the studio taken on the gnarliness of being human and made it so visually delightful and emotionally resonant.
Name : David Edelstein / Alias : New York Magazine/Vulture This teeming, tear-duct-draining, exhaustingly inventive, surreal animated comedy is going to be a new pop-culture touchstone. In all kinds of ways it's a mind-opener.
Name : Peter Rainer / Alias : Christian Science Monitor It's all very Freudian, or Jungian, or whatever, and little kids may get lost, but there's real verve in the animation and wit in the byplay.
Name : Rafer Guzman / Alias : Newsday Only Pixar could turn a metaphor into a heart-tugging story about preteen growing pains. Absolutely brilliant.
Name : Ronnie Scheib / Alias : Variety If many of the script's circumstances seem a bit too convenient, Mandelberg's direction provides a cavalier "what next?" verve that invites incongruity.
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Name : Tom Long / Alias : Detroit News
Name : Bruce Kirkland / Alias : Toronto Sun
Name : Amy Nicholson / Alias : L.A. Weekly
Name : John Semley / Alias : Globe and Mail
Name : Soren Anderson / Alias : Seattle Times
Name : Peter Keough / Alias : Boston Globe
Name : Stephen Whitty / Alias : Newark Star-Ledger
Name : Chris Nashawaty / Alias : Entertainment Weekly
Name : Andrew O'Hehir / Alias : Salon.com
Name : Alonso Duralde / Alias : TheWrap
Name : Todd McCarthy / Alias : Hollywood Reporter
Name : Lou Lumenick / Alias : New York Post
Name : Peter Debruge / Alias : Variety
Name : Joe Morgenstern / Alias : Wall Street Journal
Name : Kenneth Turan / Alias : Los Angeles Times
Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Name : Rafer Guzman / Alias : Newsday
Name : Manohla Dargis / Alias : New York Times
Name : J. R. Jones / Alias : Chicago Reader
Name : Tony Hicks / Alias : San Jose Mercury News
Name : Alex Pappademas / Alias : Grantland
Name : A.A. Dowd / Alias : AV Club
Name : Jocelyn Noveck / Alias : Associated Press
Name : Peter Howell / Alias : Toronto Star
Name : Richard Brody / Alias : New Yorker
Name : Brian Truitt / Alias : USA Today
Name : Rex Reed / Alias : New York Observer
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Name : Mick LaSalle / Alias : San Francisco Chronicle
Name : Joe Neumaier / Alias : New York Daily News
Name : Ben Sachs / Alias : Chicago Reader
Name : Dave Calhoun / Alias : Time Out
Name : Alonso Duralde / Alias : TheWrap
Name : Andrew Schenker / Alias : Time Out
Name : Ann Hornaday / Alias : Washington Post
Name : Joe Neumaier / Alias : New York Daily News
Name : Amy Nicholson / Alias : L.A. Weekly
Name : Michael Phillips / Alias : Chicago Tribune
Name : Jake Coyle / Alias : Associated Press
Name : Lou Lumenick / Alias : New York Post
Name : Brian Truitt / Alias : USA Today
Name : Dana Stevens / Alias : Slate
Name : Bill Goodykoontz / Alias : Arizona Republic
Name : Peter Howell / Alias : Toronto Star
Name : Lou Lumenick / Alias : New York Post
Name : Christopher Orr / Alias : The Atlantic
Name : Tony Hicks / Alias : San Jose Mercury News
Name : Joe Morgenstern / Alias : Wall Street Journal
Name : Lisa Kennedy / Alias : Denver Post
Name : David Edelstein / Alias : New York Magazine/Vulture